"Concerto No. 2 in B-Flat Major, Op. 10: II. Largo" by Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz was released on March 26, 2021. The duration of Concerto No. 2 in B-Flat Major, Op. 10: II. Largo is about 3 minutes long, at 3:12. Based on our data, "Concerto No. 2 in B-Flat Major, Op. 10: II. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 86 out of 93 in Baroque Concerti from The Netherlands by Musica ad Rhenum, Jed Wentz. Based on our statistics, Concerto No. 2 in B-Flat Major, Op. 10: II. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 2 in B-Flat Major, Op. 10: II. Largo by Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Bassoon Concerto in B-Flat Major, RV 501 "La Notte": IV. Sorge l'aurora. Allegro | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
Ariane et Bacchus, Prologue: Ouverture pour entracte | Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | D♭ Minor | 1 | 12A | 87 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Violin Concerto No. 3 in F Major, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Luka Faulisi, Martyna Pastuszka, {oh!} Orkiestra | C Major | 1 | 8B | 80 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: IV. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Concerto for Cor Anglais, Strings and Basso Continuo in G Major: II. Adagio | Johann Sebastian Bach, Dominik Wollenweber, Madeleine Carruzzo, Simon Roturier, Ignacy Miecznikowski, Solene Kermarrec, Ulrich Wolff, Raphael Alpermann | D♭ Major | 0 | 3B | 138 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso | Arion Ensemble | A♭ Major | 0 | 4B | 116 BPM |
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