"Ariane et Bacchus, Prologue: Ouverture pour entracte" by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet was released on March 17, 2023. With Ariane et Bacchus, Prologue: Ouverture pour entracte being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 17 out of 104. On top of that, France appears to be the country where this track was created. Ariane et Bacchus, Prologue: Ouverture pour entracte is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ariane et Bacchus, Prologue: Ouverture pour entracte by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Concerto grosso No. 10 in F Major: V. Giga | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | E Major | 3 | 12B | 137 BPM | ||
Violin Concerto in B flat major, Op.1, No.1: 3. Un poco presto | Prince Johann Ernst, Stanley Ritchie, The Bach-Ensemble, Joshua Rifkin | E Major | 2 | 12B | 95 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Médée, H. 491, Prologue: Air et trio. "Le ciel dans vos vœux s'intéresse" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Hélène Carpentier, Marine Lafdal-Franc, Floriane Hasler | G Minor | 3 | 6A | 64 BPM | ||
Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle" | Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Marc Mauillon, Le Concert Des Nations | G Major | 1 | 9B | 76 BPM | ||
Alcione, Acte II Scène 3: "Qu’entends-je ! Quel funeste oracle!" - Deuxième Air des Magiciens | Marin Marais, Jordi Savall, Lisandro Abadie, Cyril Auvity, Le Concert Des Nations | D♭ Major | 2 | 3B | 105 BPM | ||
Pavane d'Angleterre – Galliarde - 6. Livre de Danceries - Branles de Pictou - 5. Livre de Danceries | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM |
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