Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Marc Mauillon, Le Concert Des Nations's 'Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle"' came out on September 24, 2021. With Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle" being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Jordi Savall, Le Concert Des Nations's "Marin Marais; Alcione" album is number 21 out of 85. Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle" by Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Marc Mauillon, Le Concert Des Nations to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Nabucco: Prologo / Siamo a riva | Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo Bellotto | B♭ Minor | 1 | 3A | 77 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 133 BPM | ||
Manuscrit Panmure: Courante in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | A♭ Minor | 2 | 1A | 141 BPM | ||
Le Retrouvé | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 82 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Alcione - 4Ème Suite - Airs Pour Les Matelots Et Les Tritons - 2Ème Air Pour Les Mêmes | Jordi Savall, Marin Marais | D Minor | 1 | 7A | 112 BPM | ||
Pass'emezzo antico | Diego Ortiz, Paolo Pandolfo | E Major | 1 | 12B | 90 BPM |
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