Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso
Arion Ensemble
Telemann: Tafelmusik (First Production)
3:44 1997
BPM
116
Key
A♭ Major
Camelot
4B

Embed

Share Link

Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso - Arion Ensemble Information

Acousticness
76%
Danceability
35%
Energy
3%
Instrumentalness
0%
Liveness
10%
Loudness
64%
Speechiness
5%
Valence
14%
Popularity
Loudness
-21.549 dB

Summary

"Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso" by Arion Ensemble was released on 1997. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Telemann: Tafelmusik (First Production)". In this album, this song's track order is #10. In terms of popularity, Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso BPM

With Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso by Arion Ensemble having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso Key

A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 5: II. Adagio by Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del SordoConcerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 5: II. AdagioTomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del SordoA Minor18A106 BPM
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoyFrançois Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît FallaiE Major112B82 BPM
Sonata in D Major, Op. 6, No. 7: III. Adagio by Tomaso Albinoni, Ensemble Barocco Sans SouciSonata in D Major, Op. 6, No. 7: III. AdagioTomaso Albinoni, Ensemble Barocco Sans SouciD♭ Major13B115 BPM
Concerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. Fuga by Leonardo Leo, Elinor Frey, Rosa Barocca, Claude LapalmeConcerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. FugaLeonardo Leo, Elinor Frey, Rosa Barocca, Claude LapalmeE♭ Minor12A103 BPM
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceurFrançois Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît FallaiE Major112B82 BPM
Baryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di molto by Joseph Haydn, Valencia Baryton ProjectBaryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di moltoJoseph Haydn, Valencia Baryton ProjectB Major21B94 BPM
Concerto in G Major for Cello, Strings, and Continuo, RV 414: III. Allegro by Antonio Vivaldi, Elinor Frey, Rosa Barocca, Claude LapalmeConcerto in G Major for Cello, Strings, and Continuo, RV 414: III. AllegroAntonio Vivaldi, Elinor Frey, Rosa Barocca, Claude LapalmeE♭ Minor12A103 BPM
Sonata a 7 for 2 Trumpets in D Major: I. Grave by Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. TarrSonata a 7 for 2 Trumpets in D Major: I. GravePetronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. TarrE Minor19A66 BPM
Ons is gheboren een kindekijn, SwWV 315: IV. Variation IV by Jan Pieterszoon Sweelinck, Gustav AuzingerOns is gheboren een kindekijn, SwWV 315: IV. Variation IVJan Pieterszoon Sweelinck, Gustav AuzingerC Major08B92 BPM
English Suite No. 6 in D Minor, BWV 811: IV. Sarabande - Double by Johann Sebastian Bach, Benjamin AlardEnglish Suite No. 6 in D Minor, BWV 811: IV. Sarabande - DoubleJohann Sebastian Bach, Benjamin AlardD Minor27A110 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.720137357711792

End: 0.7262957096099854