"Tosca / Act 1: "Ah! Finalmente!"" by Giacomo Puccini, Carlo Cava, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1963. The duration of Tosca / Act 1: "Ah! Finalmente!" is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Tosca / Act 1: "Ah! Finalmente!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Puccini: Tosca". In this album, this song's track order is #1. Tosca / Act 1: "Ah! Finalmente!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act 1: "Ah! Finalmente!" by Giacomo Puccini, Carlo Cava, Wiener Philharmoniker, Herbert von Karajan having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Louise / Act 3: "Depuis le jour" | Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 89 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Martha / Act 3: "Ach, so fromm" | Jonas Kaufmann, Friedrich von Flotow, Prague Philharmonic Orchestra, Marco Armiliato | F Major | 2 | 7B | 91 BPM | ||
Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
Turandot / Act 2: Ho una casa nell'Honan | Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, London Philharmonic Orchestra, Zubin Mehta | A Major | 1 | 11B | 75 BPM | ||
Die Walkure: Act III Scene 1: Walkurenritt: Hojotoho! Heiaha! (Gerhilde, Helmwige, Waltraute, Schwertleite, Ortlinde, Siegrune, Grimgerde, Rossweisse) | Richard Wagner, Endrik Wottrich, Kwangchul Youn, Albert Dohmen, Eva-Maria Westbroek, Linda Watson, Michelle Breedt, Sonja Muhleck, Anna Gabler, Martina Dike, Simone Schroder, Edith Haller, Wilke te Brummelstroete, Annette Kuttenbaum, Manuela Bress, Bayreuth Festival Orchestra, Christian Thielemann | E Minor | 3 | 9A | 91 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM |
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