"Martha / Act 3: "Ach, so fromm"" by Jonas Kaufmann, Friedrich von Flotow, Prague Philharmonic Orchestra, Marco Armiliato was released on January 1, 2008. The duration of Martha / Act 3: "Ach, so fromm" is about 3 minutes long, at 3:22. Based on our data, "Martha / Act 3: "Ach, so fromm"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Romantic Arias". In this album, this song's track order is #3. In terms of popularity, Martha / Act 3: "Ach, so fromm" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Martha / Act 3: "Ach, so fromm" by Jonas Kaufmann, Friedrich von Flotow, Prague Philharmonic Orchestra, Marco Armiliato having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele / Act 1: "Dai campi, dai prati" | Arrigo Boito, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F Major | 2 | 7B | 91 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Serenade (From "The Student Prince") | Jonas Kaufmann | E♭ Major | 4 | 5B | 84 BPM | ||
Die große Sünderin: "Das Lied vom Leben des Schrenk" | Eduard Künneke, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | C Major | 4 | 8B | 88 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Rienzi / Act 5: "Allmächt'ger Vater, blick herab" | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | B♭ Major | 2 | 6B | 79 BPM |
Section: 0.674196720123291
End: 0.6787855625152588