On January 1, 2012, the song "Variations on a Theme by Corelli" was released by Giuseppe Tartini, Ruggiero Ricci, Brooks Smith. The duration of Variations on a Theme by Corelli is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Variations on a Theme by Corelli's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 42 in A Tribute to Fritz Kreisler by Christian Ferras, Jascha Heifetz, Fritz Kreisler, Gidon Kremer, Shlomo Mintz, Anne-Sophie Mutter, David Oistrakh, Ruggiero Ricci. In terms of popularity, Variations on a Theme by Corelli is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Variations on a Theme by Corelli by Giuseppe Tartini, Ruggiero Ricci, Brooks Smith is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Violin Concerto No. 2 in G Minor, Op. 63: II. Andante assai | Sergei Prokofiev, Itzhak Perlman, Erich Leinsdorf, Boston Symphony Orchestra | D Minor | 2 | 7A | 148 BPM | ||
Violin Concerto in E Major, BWV 1042: III. Allegro assai | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | E Major | 4 | 12B | 104 BPM | ||
Sonata In A Minor: II. Allegro | Giuseppe Tartini, Andrew Manze | A♭ Minor | 1 | 1A | 81 BPM | ||
Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco | Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit | A Minor | 4 | 8A | 138 BPM | ||
Valse romantique | Claude Debussy, Claudio Arrau | F Minor | 0 | 4A | 58 BPM | ||
Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | ||
Lalo: Symphonie espagnole, Op. 21: V. Rondo (Allegro) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | A Major | 1 | 11B | 82 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM |
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