Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra's 'Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo)' came out on January 1, 1998. The duration of Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) is about 3 minutes long, at 3:25. Based on our data, "Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Saint-Saëns: Cello Concerto No.1; Cello Sonata No.1; Suite, Op. 16; Le Cygne From Le Carnival Des Animaux; Allegro Apassionato, Op. 43; Romance In F Major, Op. 36". In this album, this song's track order is #9. Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Cello Concerto in A minor, op. 129: III. Finale vivace - Sehr Lebhaft | Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado | A Major | 1 | 11B | 117 BPM | ||
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: I. Moderato | Sergei Prokofiev, Gidon Kremer, Martha Argerich | F♯ Major | 1 | 2B | 89 BPM | ||
Shostakovich: Piano Quintet in G Minor, Op. 57: III. Scherzo. Allegretto (Live) | Dmitri Shostakovich, Martha Argerich, Mischa Maisky, Renaud Capuçon, Alissa Margulis, Lyda Chen | E Major | 5 | 12B | 134 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 3. Marziale un poco meno allegro | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 123 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 14 in E Flat | Niccolò Paganini, Itzhak Perlman | E♭ Major | 2 | 5B | 99 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegro marziale animato | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | E♭ Major | 2 | 5B | 80 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM |
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