"Sonata for Violin and Piano No. 2 in D Major, Op. 94a: I. Moderato" by Sergei Prokofiev, Gidon Kremer, Martha Argerich was released on January 1, 1992. Since Sonata for Violin and Piano No. 2 in D Major, Op. 94a: I. Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Prokofiev: Violin Sonatas". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Sonata for Violin and Piano No. 2 in D Major, Op. 94a: I. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Violin and Piano No. 2 in D Major, Op. 94a: I. Moderato by Sergei Prokofiev, Gidon Kremer, Martha Argerich having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163: II. Adagio | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: 2. Intermezzo. Adagio - Live | Sergei Rachmaninoff, Martha Argerich, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | A♭ Major | 1 | 4B | 84 BPM | ||
Beethoven: Piano Quartets, WoO 36: No. 3 in C Major: III. Rondo. Allegro (Live) | Ludwig van Beethoven, Renaud Capuçon, Lyda Chen, Gautier Capuçon, Martha Argerich | D Major | 2 | 10B | 143 BPM | ||
Sonata for cello and piano: I. Allegro - Tempo di Marcia | Francis Poulenc, Alexandre Tharaud, Jean-Guihen Queyras | A♭ Major | 1 | 4B | 131 BPM | ||
Cello Concerto In D Minor - III. Introduction | Édouard Lalo, Dimanche FR | D Major | 2 | 10B | 91 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Cello Concerto in A Minor, Op.129: II. Langsam - Etwas lebhafter - Schneller - | Mstislav Rostropovich, Orchestre National De France, Leonard Bernstein | F Major | 0 | 7B | 66 BPM | ||
Piano Trio No. 1 in F Major, Op. 18: I. Allegro vivace | Camille Saint-Saëns, Joachim Trio | F Major | 1 | 7B | 99 BPM | ||
Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla Zingarese | Johannes Brahms, Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | G Major | 1 | 9B | 88 BPM |
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