Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra made "Lalo: Symphonie espagnole, Op. 21: V. Rondo (Allegro)" available on September 1, 2003. Since Lalo: Symphonie espagnole, Op. 21: V. Rondo (Allegro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra's "Lalo: Symphonie Espagnole/Saint-Saens: Vln Cto/Ravel: Tzigane" album is number 5 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Lalo: Symphonie espagnole, Op. 21: V. Rondo (Allegro) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Lalo: Symphonie espagnole, Op. 21: V. Rondo (Allegro) by Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Cello Concerto in D Minor: II. Intermezzo. Andantino con moto - Allegro presto | Édouard Lalo, János Starker, London Symphony Orchestra, Stanisław Skrowaczewski | G Minor | 0 | 6A | 83 BPM | ||
Lalo: Symphonie espagnole, Op. 21: V. Rondo (Allegro) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | A Major | 1 | 11B | 82 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM |
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