Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin's 'La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - So hold, so reizend und engelsmild [Un Dì, Felice, Eterea] (Alfred, Violetta)' came out on December 7, 2012. The duration of La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - So hold, so reizend und engelsmild [Un Dì, Felice, Eterea] (Alfred, Violetta) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - So hold, so reizend und engelsmild [Un Dì, Felice, Eterea] (Alfred, Violetta)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi auf Deutsch: La Traviata by Giuseppe Verdi, Francesco Maria Piave, Josef Metternich/Melitta Muszely. The song's track number on the album is #4 out of 25 tracks. La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - So hold, so reizend und engelsmild [Un Dì, Felice, Eterea] (Alfred, Violetta) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - So hold, so reizend und engelsmild [Un Dì, Felice, Eterea] (Alfred, Violetta) by Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - So hold, so reizend und engelsmild [Un Dì, Felice, Eterea] (Alfred, Violetta) being at 63 BPM, the half-time would be 32 BPM with a double-time of 126 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 0 | 9B | 178 BPM | ||
Carmina Burana: Stetit puella | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | C Minor | 2 | 5A | 95 BPM | ||
Lohengrin / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A Major | 3 | 11B | 82 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Bizet: Carmen, WD 31: Overture | Georges Bizet, Lorin Maazel, Orchestre National De France | C Major | 7 | 8B | 89 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM |
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