Carmina Burana: Stetit puella
Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop
Orff: Carmina Burana
1:43 March 30, 2007
BPM
95
Key
C Minor
Camelot
5A

Embed

Share Link

Carmina Burana: Stetit puella - Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop Information

Acousticness
98%
Danceability
33%
Energy
16%
Instrumentalness
93%
Liveness
14%
Loudness
70%
Speechiness
4%
Valence
15%
Popularity
Loudness
-18.118 dB

Summary

"Carmina Burana: Stetit puella" by Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop was released on March 30, 2007. With Carmina Burana: Stetit puella being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Carmina Burana: Stetit puella is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmina Burana: Stetit puella BPM

With Carmina Burana: Stetit puella by Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Carmina Burana: Stetit puella Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Myrthen, Op. 25: No. 3. Der Nussbaum by Robert Schumann, Margaret Price, James LockhartMyrthen, Op. 25: No. 3. Der NussbaumRobert Schumann, Margaret Price, James LockhartG Major09B65 BPM
Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa by Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner PhilharmonikerMozart: Requiem in D Minor, K. 626: VIII. LacrimosaWolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner PhilharmonikerD Minor17A147 BPM
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson)Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de ParisD♭ Major23B80 BPM
Vendado amor es, no ciego ( Zarzuela): Tempestad grande by José de Nebra, Bejun Mehta, Concerto Köln, Pablo Heras-CasadoVendado amor es, no ciego ( Zarzuela): Tempestad grandeJosé de Nebra, Bejun Mehta, Concerto Köln, Pablo Heras-CasadoE Minor59A145 BPM
In furore, R.626: 1. In furore iustissimae (Allegro) by Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea MarconIn furore, R.626: 1. In furore iustissimae (Allegro)Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea MarconC Minor35A134 BPM
Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 3, Moderato religioso by Jean François Lesueur, Chorus Musicus Das Neue Orchester, Christoph SperingOratorio pour le couronnement des princes souverains de toute la chrétienté: No. 3, Moderato religiosoJean François Lesueur, Chorus Musicus Das Neue Orchester, Christoph SperingG Major09B156 BPM
Gloria in D, RV 589: II. Et in terra pax hominibus by Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient MusicGloria in D, RV 589: II. Et in terra pax hominibusAntonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient MusicB♭ Minor23A130 BPM
Gloria, R. 589: Et in terra pax hominibus by Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerGloria, R. 589: Et in terra pax hominibusAntonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerB♭ Minor13A59 BPM
Four Songs, Op.2: 2. The Nightingale and the Rose by Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke DollmanFour Songs, Op.2: 2. The Nightingale and the RoseNikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke DollmanB Minor010A87 BPM
Purcell: Dido and Aeneas, Z. 626, Act III: Song. Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido)Henry Purcell, William Christie, Véronique Gens, Les Arts FlorissantsF♯ Minor011A80 BPM
ISRC
HKI190665717
Label
L-M Records/RCA Records

Section: 0.8129663467407227

End: 0.8165121078491211