Immortal Bach - Phoenix Chamber Choir Information

Acousticness
99%
Danceability
15%
Energy
3%
Instrumentalness
88%
Liveness
27%
Loudness
51%
Speechiness
3%
Valence
3%
Popularity
Loudness
-29.677 dB

Summary

"Immortal Bach" by Phoenix Chamber Choir was released on November 15, 2008. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "The Road Less Travelled". In this album, this song's track order is #2. In terms of popularity, Immortal Bach is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Immortal Bach BPM

With Immortal Bach by Phoenix Chamber Choir having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Immortal Bach Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) by Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxSt. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto)Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxD♭ Major13B111 BPM
Trio In G Minor, BWV 929 by Janos Sebestyen, Johann Sebastian BachTrio In G Minor, BWV 929Janos Sebestyen, Johann Sebastian BachG Minor26A126 BPM
Violin Concerto in E Major, BWV 1042: III. Allegro Assai by Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De StoutzViolin Concerto in E Major, BWV 1042: III. Allegro AssaiArthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De StoutzE Major312B86 BPM
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro by George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona BrownConcerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. AllegroGeorge Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona BrownG Minor46A120 BPM
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro by Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela HewittViola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. AllegroAnonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela HewittA♭ Major04B84 BPM
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace by Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic OrchestraConcerto for 2 Violins in D Minor, BWV 1043: I. VivaceJohann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic OrchestraD Minor37A100 BPM
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. Allegro by Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw SzulcConcerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. AllegroJohann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw SzulcG Major19B122 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E PianoCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachE♭ Major15B103 BPM
Partita No.1 In B Flat Major, BWV 825: Prelude by Johann Sebastian Bach, Rafał BlechaczPartita No.1 In B Flat Major, BWV 825: PreludeJohann Sebastian Bach, Rafał BlechaczB♭ Major16B98 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6983685493469238

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