On May 7, 2013, the song "If I can't have Anna in Cuba" was released by Anonymous, Harry Roy Orchestra, Harry Roy. The duration of If I can't have Anna in Cuba is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. If I can't have Anna in Cuba's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 24 in Fabulous British Dance Bands: Harry Roy (The Dance Band and the Tiger Ragamuffins) (Recordings 1934-1939) by Harry Roy. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, If I can't have Anna in Cuba is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of If I can't have Anna in Cuba by Anonymous, Harry Roy Orchestra, Harry Roy is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Levita Laurentius | Ivo de Vento, Harmonia Recorder Ensemble | F Major | 0 | 7B | 71 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Basse-danse Jouissance vous donneray (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Thoinot Arbeau, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Sestina, prima parte: "Incenerite spoglie" | Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert | B♭ Minor | 1 | 3A | 69 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Folias | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 1 | 8B | 105 BPM | ||
Ferien vom Ich: Unter dem Sternenzelt | Karl Schmitt-Walter, Orchester der Deutschen Oper Berlin, Anonymous | E Major | 3 | 12B | 46 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
Españoletas | Gaspar Sanz, Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Minor | 1 | 7A | 91 BPM | ||
Missa "Mille Regretz": Gloria (Morales) | The Hilliard Ensemble | B Major | 2 | 1B | 100 BPM |
Section: 0.5509812831878662
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