Karl Schmitt-Walter, Orchester der Deutschen Oper Berlin, Anonymous's 'Ferien vom Ich: Unter dem Sternenzelt' came out on January 29, 2013. The duration of Ferien vom Ich: Unter dem Sternenzelt is about 3 minutes long, at 3:11. Based on our data, "Ferien vom Ich: Unter dem Sternenzelt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Karl Schmitt-Walter's "Karl Schmitt-Walter, Vol. 2: Popular Songs and Film" album is number 5 out of 18. On top of that, Germany appears to be the country where this track was created. Ferien vom Ich: Unter dem Sternenzelt is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ferien vom Ich: Unter dem Sternenzelt by Karl Schmitt-Walter, Orchester der Deutschen Oper Berlin, Anonymous to be Lento (slowly) because the track has a tempo of 46 BPM, a half-time of 23BPM, and a double-time of 92 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When Dreams Come True (Recorded 1913) | Henry Burr | C Major | 3 | 8B | 86 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
Lebensmärchen, Op. 253 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 1 | 9B | 176 BPM | ||
Die Zauberflöte, K. 620: Act II Scene 3: Aria: In diesen heil'gen Hallen (Sarastro) | Wolfgang Amadeus Mozart, Wilma Lipp, Irmgard Seefried, Gertrud Grob-Prandl, Sieglinde Wagner, Elisabeth Höngen, Edith Oravez, Elisabeth Rutgers, Ruthilde Boesch, Polly Batic, Walther Ludwig, Karl Schmitt-Walter, Josef Greindl, Paul Schöffler, Hermann Gallos, Karl Dönch, Peter Klein, Ernst Haefliger, Hermann Uhde, Anton Dermota, Erich Kunz, Vienna State Opera Chorus, Wiener Philharmoniker, Wilhelm Furtwängler | E Major | 3 | 12B | 83 BPM | ||
Where Can I Meet You Tonight | Billy Murray | B Major | 2 | 1B | 75 BPM | ||
Wunschkonzert: Gute Nacht, Mutter | Werner Bochmann, Karl Schmitt-Walter, Studio Orchestra, StudioConductor | C Major | 2 | 8B | 81 BPM | ||
Der Jäger aus Kurpfalz | Arne Dørumsgaard | A Major | 2 | 11B | 112 BPM | ||
Cleaning Windows | George Formby | D♭ Major | 4 | 3B | 114 BPM | ||
The Lantern Slide | Russ Conway | E♭ Major | 6 | 5B | 107 BPM | ||
Medley: September in the Rain / Dinah / You Must Have Been a Beautiful Baby | Mrs Mills | G Minor | 5 | 6A | 132 BPM |
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