"Die Zauberflöte, K. 620: Act II Scene 3: Aria: In diesen heil'gen Hallen (Sarastro)" by Wolfgang Amadeus Mozart, Wilma Lipp, Irmgard Seefried, Gertrud Grob-Prandl, Sieglinde Wagner, Elisabeth Höngen, Edith Oravez, Elisabeth Rutgers, Ruthilde Boesch, Polly Batic, Walther Ludwig, Karl Schmitt-Walter, Josef Greindl, Paul Schöffler, Hermann Gallos, Karl Dönch, Peter Klein, Ernst Haefliger, Hermann Uhde, Anton Dermota, Erich Kunz, Vienna State Opera Chorus, Wiener Philharmoniker, Wilhelm Furtwängler was released on July 3, 2012. Die Zauberflöte, K. 620: Act II Scene 3: Aria: In diesen heil'gen Hallen (Sarastro) is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. This song is part of Wilhelm Furtwangler Conducts Mozart Die Zauberflote (1949, 1951) by Wolfgang Amadeus Mozart, Wilhelm Furtwängler. The song's track number on the album is #11 out of 54 tracks. Die Zauberflöte, K. 620: Act II Scene 3: Aria: In diesen heil'gen Hallen (Sarastro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Zauberflöte, K. 620: Act II Scene 3: Aria: In diesen heil'gen Hallen (Sarastro) by Wolfgang Amadeus Mozart, Wilma Lipp, Irmgard Seefried, Gertrud Grob-Prandl, Sieglinde Wagner, Elisabeth Höngen, Edith Oravez, Elisabeth Rutgers, Ruthilde Boesch, Polly Batic, Walther Ludwig, Karl Schmitt-Walter, Josef Greindl, Paul Schöffler, Hermann Gallos, Karl Dönch, Peter Klein, Ernst Haefliger, Hermann Uhde, Anton Dermota, Erich Kunz, Vienna State Opera Chorus, Wiener Philharmoniker, Wilhelm Furtwängler has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Zauberflöte, K. 620: Act II Scene 3: Aria: In diesen heil'gen Hallen (Sarastro) being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 2 | 8B | 81 BPM |
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