Gaspar Sanz, Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa's 'Españoletas' came out on January 1, 1997. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 20 in Encuentro Sanz & Santa Cruz by Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon. In terms of popularity, Españoletas is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Españoletas by Gaspar Sanz, Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM | ||
Misa Criolla: Misa Criolla: II. Gloria | Ariel Ramírez, La Chimera, Coral de Camara de Pamplona, Eduardo Eguez, Luis Rigou | E Minor | 3 | 9A | 93 BPM | ||
Gagliarda | Hopkinson Smith, Giovanni Girolamo Kapsberger | E Major | 1 | 12B | 128 BPM | ||
36 Caprices, Op. 20: XV. Presto | Luigi Legnani, Pavel Steidl | B Minor | 2 | 10A | 100 BPM | ||
Folias | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 1 | 8B | 105 BPM | ||
Otros Canarios | Rolf Lislevand, Santiago De Murcia | D♭ Major | 1 | 3B | 145 BPM | ||
Sonata in E Major, Op. 5, No. 11 (version for viola da gamba and basso continuo): I. Preludio: Adagio | Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Eguez, Gaetano Nasillo, Massimiliano Raschietti | E Major | 2 | 12B | 131 BPM | ||
Canarios (arr. S. Pauley) | Gaspar Sanz, Scott Pauley, Becky Baxter, Danny Mallon, Chatham Baroque | F♯ Major | 3 | 2B | 156 BPM | ||
Suite in D Minor: VII. La poste | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM |
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