Zlatiye gori (Golden mountains), Op. 30: IV. Intermezzo: Andante —
Dmitri Shostakovich, BBC Philharmonic, Vassily Sinaisky
Shostakovich: Film Music, Vol. 2 - Golden Mountains / The Gadfly / Volochayev Days
4:01 March 1, 2004
BPM
68
Key
F Major
Camelot
7B

Embed

Share Link

Zlatiye gori (Golden mountains), Op. 30: IV. Intermezzo: Andante — - Dmitri Shostakovich, BBC Philharmonic, Vassily Sinaisky Information

Acousticness
74%
Danceability
16%
Energy
0%
Instrumentalness
85%
Liveness
11%
Loudness
62%
Speechiness
4%
Valence
12%
Popularity
Loudness
-23.075 dB

Summary

"Zlatiye gori (Golden mountains), Op. 30: IV. Intermezzo: Andante —" by Dmitri Shostakovich, BBC Philharmonic, Vassily Sinaisky was released on March 1, 2004. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Shostakovich: Film Music, Vol. 2 - Golden Mountains / The Gadfly / Volochayev Days". In this album, this song's track order is #3. Zlatiye gori (Golden mountains), Op. 30: IV. Intermezzo: Andante — is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Zlatiye gori (Golden mountains), Op. 30: IV. Intermezzo: Andante — BPM

With Zlatiye gori (Golden mountains), Op. 30: IV. Intermezzo: Andante — by Dmitri Shostakovich, BBC Philharmonic, Vassily Sinaisky having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Zlatiye gori (Golden mountains), Op. 30: IV. Intermezzo: Andante — Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve by Alexander Borodin, Leonard Bernstein, New York PhilharmonicPrince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breveAlexander Borodin, Leonard Bernstein, New York PhilharmonicA Major211B0 BPM
Allegro molto in C Minor by Fanny Mendelssohn, Heather SchmidtAllegro molto in C MinorFanny Mendelssohn, Heather SchmidtF Minor24A79 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato by Sergei Rachmaninoff, Arthur Rubinstein, Fritz ReinerPiano Concerto No. 2 in C Minor, Op. 18: I. ModeratoSergei Rachmaninoff, Arthur Rubinstein, Fritz ReinerC Minor15A71 BPM
Pictures At An Exhibition: The Old Castle by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniPictures At An Exhibition: The Old CastleModest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniA♭ Major04B136 BPM
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht by Bedřich Smetana, Jitka ČechováCharakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sichtBedřich Smetana, Jitka ČechováA♭ Minor21A76 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderatoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B113 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerPelléas et Mélisande, Op.80: 3. SicilienneGabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A111 BPM
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance by Richard Strauss, Fritz ReinerDon Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful CountenanceRichard Strauss, Fritz ReinerF Major07B63 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin) by Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxElégie in C Minor, Op. 24 (Arr. Parkin)Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxA♭ Major04B88 BPM
Humoresque No. 7 in G-flat Major, Op. 101 by Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak PerlmanHumoresque No. 7 in G-flat Major, Op. 101Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak PerlmanF♯ Major12B83 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7307314872741699

End: 0.7355480194091797