"The Abduction from the Seraglio, K.384: Overture" by Rundfunkorchester des Südwestfunks Baden-Baden was released on January 2, 2019. The Abduction from the Seraglio, K.384: Overture is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. This song is part of Wolfgang Amedeus Mozart: Arias and Opera Scenes by Rundfunkorchester des Südwestfunks Baden-Baden. The song's track number on the album is #14 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. The Abduction from the Seraglio, K.384: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Abduction from the Seraglio, K.384: Overture by Rundfunkorchester des Südwestfunks Baden-Baden has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With The Abduction from the Seraglio, K.384: Overture being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Concerto for Clarinet and Orchestra in A Major - Adagio | CHA Medical Center | D Major | 0 | 10B | 81 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Nikolaus Harnoncourt, Vienna State Opera Chorus | G Minor | 4 | 6A | 77 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante, nous arrivons, nous voilà! "(Chorus) | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse | F Major | 1 | 7B | 130 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 16, Anitra's Dance | Edvard Grieg, Sir Thomas Beecham, Royal Philharmonic Orchestra | A Major | 2 | 11B | 95 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
El Amor Brujo: Danza del Fuego | Orquesta Sinfónica De Radio Hamburgo, Manuel de Falla, Oscar Bustonovich | G Major | 3 | 9B | 147 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" - Arr. by Paul Desenne | Johann Strauss II, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | A Major | 6 | 11B | 88 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM |
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