"La Bayadère / Act 3: No.43 Moderato con moto" by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge was released on January 1, 1994. With this song being about 5 minutes long, at 4:57, "La Bayadère / Act 3: No.43 Moderato con moto" by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 15 out of 42. La Bayadère / Act 3: No.43 Moderato con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadère / Act 3: No.43 Moderato con moto by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 111 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Symphony No. 6 in D Major, Op. 60, B. 112: Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo (Furiant). Presto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | D Major | 1 | 10B | 138 BPM | ||
Don Quixote: Act I: Seguidilla | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Major | 3 | 11B | 110 BPM | ||
Romeo and Juliet, Op. 64: No. 19 Balcony Scene | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | D♭ Major | 0 | 3B | 88 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Don Quixote: Act I: Espada | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B♭ Major | 1 | 6B | 183 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM |
Section: 0.6755499839782715
End: 0.680098295211792