- BPM
- 111
- Key
- C Major
- Camelot
- 8B
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation - March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov Information
- Acousticness
- 95%
- Danceability
- 48%
- Energy
- 4%
- Instrumentalness
- 32%
- Liveness
- 13%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 52%
- Popularity
- 28%
- Loudness
- -25.712 dB
Summary
March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov made "La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation" available on January 1, 2002. With La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 26 in Ballet Music - Burgmuller, Tchaikovsky, Minkus, Paulli, Hertel, & Asafiev by Boris Spassov. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation BPM
The tempo marking of La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation by March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | |
 | The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Chloe Chua, Singapore Symphony Orchestra, Chan Yoong Han | F Minor | 1 | 4A | 78 BPM | |
 | Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | |
 | Grand Pas Classique. Female Variation. | Daniel Auber, MetodoVadim | F Major | 0 | 7B | 187 BPM | |
 | Minuet No. 2 in G Major, WoO 10 - Arranged for Solo Violin | Christen | G Major | 0 | 9B | 102 BPM | |
 | La Polka de Paris | Patrick Doyle | G Major | 3 | 9B | 140 BPM | |
 | Fondu 4/4 Hertel | Peter Ludwig Hertel, Elena Baliakhova | A Major | 3 | 11B | 102 BPM | |
 | Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | |
 | Paquita: Variation 1: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 0 | 12B | 182 BPM | |
 | Tendus Pliés | Aly Tejas | B Major | 1 | 1B | 78 BPM |
- ISRC
- DEB260200097
- Label
- L-M Records/RCA Records
Section: 0.553727388381958
End: 0.5700240135192871