"Romeo and Juliet, Op. 64: No. 19 Balcony Scene" by Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler was released on February 26, 1994. The duration of Romeo and Juliet, Op. 64: No. 19 Balcony Scene is about 3 minutes long, at 3:29. Based on our data, "Romeo and Juliet, Op. 64: No. 19 Balcony Scene" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 52 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #19. Romeo and Juliet, Op. 64: No. 19 Balcony Scene is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64: No. 19 Balcony Scene by Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux - Arr. piano duet and orchestra: 1. Introduction and Royal March of the Lion | Camille Saint-Saëns, Nicholas Walker, Laura O'Gorman, Philharmonia, Philip Ellis | G Major | 3 | 9B | 108 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): I. Overture (Introduction) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Minor | 2 | 4A | 124 BPM | ||
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
Bellini: Norma, Act 1: "Casta Diva" (Norma, Chorus, Oroveso) [Live] | Vincenzo Bellini, Maria Callas, Giacomo Vaghi, Vittorio Gui, Orchestra of the Royal Opera House, Covent Garden | F Major | 2 | 7B | 80 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
Cinderella, Op.87: 50. Amoroso | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 2 | 7B | 80 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM |
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