"Bolt, Op. 27a (Ballet Suite No. 5): I. Overture (Introduction)" by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky was released on April 15, 2002. With this song being about 5 minutes long, at 5:05, "Bolt, Op. 27a (Ballet Suite No. 5): I. Overture (Introduction)" by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Shostakovich: Jazz Suites Nos. 1 - 2 / The Bolt / Tahiti Trot". In this album, this song's track order is #1. Based on our statistics, Bolt, Op. 27a (Ballet Suite No. 5): I. Overture (Introduction)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bolt, Op. 27a (Ballet Suite No. 5): I. Overture (Introduction) by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): I. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Major | 0 | 8B | 96 BPM | ||
Symphony No. 6 in B Minor, Op. 54: 3. Presto - Live at Symphony Hall, Boston / 2017 | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | C Major | 2 | 8B | 143 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Leonard Bernstein, New York Philharmonic | E♭ Minor | 2 | 2A | 113 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 1. Andantino | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 64 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt (The Hero's Field of Battle) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 4 | 5B | 133 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM |
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