"Amor mio" by Vincenzo Ricciardi, Enrico Caruso, Walter B. Rogers was released on 1990. The duration of Amor mio is about 3 minutes long, at 3:27. Based on our data, "Amor mio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Amor mio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Amor mio by Vincenzo Ricciardi, Enrico Caruso, Walter B. Rogers is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme, erster Akt: A te l'Atto primo | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | G Major | 1 | 9B | 109 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 1: Deh! con te li prendi (Norma/Adalgisa) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Major | 1 | 6B | 87 BPM | ||
La Bohème: "O Mimì, tu più non torni" | Giacomo Puccini, Enrico Caruso, Antonio Scotti, Unknown Orchestra | C Major | 1 | 8B | 80 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Singt dem großen Bassa Lieder - Remastered 2024 | Wolfgang Amadeus Mozart, Heinz Woester, Wilma Lipp, Wiener Staatsopernchor, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
La Boheme, erster Akt: Questo Mar Rosso | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F Major | 4 | 7B | 78 BPM | ||
Alma mía | Ángeles Ottein, C. Galeffi, Anibal Vela | D Minor | 5 | 7A | 116 BPM |
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