Ángeles Ottein, C. Galeffi, Anibal Vela's 'Alma mía' came out on June 20, 2021. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Maruxa" album is number 11 out of 24. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Alma mía is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alma mía by Ángeles Ottein, C. Galeffi, Anibal Vela to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Czardasfürstin - Live | André Rieu, Johann Strauss Orchestra, The Platin Tenors, Anna Majchrzak, Micaëla Oeste, Madieke Schoots | F Major | 5 | 7B | 84 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Ô malheureuse Iphigénie !" (Iphigénie, Chœur) | Christoph Willibald Gluck, Georges Prêtre, Choeur René Duclos, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
流水 | 幸福男聲合唱團 | F Major | 2 | 7B | 92 BPM | ||
La Boheme, dritter Akt: Sa dirmi, scusi | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Y Detrás de Ti Besé / Yo Conozco a una Mocita | José Oto, Rondalla | C Major | 4 | 8B | 93 BPM | ||
La Vestale: Ô des infortunés | Gaspare Spontini, Marina Rebeka, Jader Bignamini, Orchestra del Teatro Massimo di Palermo | B♭ Major | 2 | 6B | 87 BPM | ||
Valverde: Clavelitos (Live) | Joaquín Valverde, Victoria de los Ángeles, Gerald Moore | D Major | 2 | 10B | 90 BPM | ||
Preludio - Segundo acto, Pt. 2 | Gran orquesta | D♭ Major | 2 | 3B | 68 BPM | ||
Eine Nacht in Venedig, Act I: Act I: Frutti di mare! (Chorus) | Johann Strauss II, Annika Gerhards, Mörbisch Festival Choir, Morbisch Festival Orchestra, Andreas Schuller | B♭ Major | 2 | 6B | 155 BPM | ||
Donizetti: Roberto Devereux, Act 3: "Bagnato il sen di lagrime" (Roberto, Gualtiero, Chorus) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | D Major | 0 | 10B | 171 BPM |
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