Hyronimus Praetorius, Chorwerk Ruhr, Capella De La Torre, Florian Helgath's 'Fuit homo missus a Deus à 5' came out on October 1, 2021. The duration of Fuit homo missus a Deus à 5 is about 3 minutes long, at 3:27. Based on our data, "Fuit homo missus a Deus à 5" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 20 in Bodenschätze (Motetten aus dem 17. Jahrhundert) by Chorwerk Ruhr, Capella De La Torre, Florian Helgath. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Fuit homo missus a Deus à 5 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fuit homo missus a Deus à 5 by Hyronimus Praetorius, Chorwerk Ruhr, Capella De La Torre, Florian Helgath is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lullaby "My Sweet Little Baby", T. 242 | William Byrd, The Gesualdo Six, Owain Park | A♭ Minor | 0 | 1A | 95 BPM | ||
Armide, LWV 71, Act IV Scene 2: Voici la charmante retraite (Lucinde, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik | F Major | 1 | 7B | 139 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Confitebor tibi I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Lamentations of Jeremiah I: I. Incipit lamentatio Jeremiae prophetae | Thomas Tallis, Owain Park, The Gesualdo Six | B♭ Minor | 1 | 3A | 81 BPM | ||
Guerrero: Ambulans Iesus | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 1 | 1A | 130 BPM | ||
Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | E Minor | 1 | 9A | 98 BPM |
Section: 0.6376953125
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