"Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare" by Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen was released on April 3, 2020. With Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 25 out of 50. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare by Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Miserere, ZWV 57: III. Gloria Patri I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Gunhild Alsvik, Javier Ulises Illán | E♭ Minor | 2 | 2A | 106 BPM | ||
Libera me in C Minor, HocJ E.2: VII. Dum veneris iudicare | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | B Minor | 0 | 10A | 163 BPM | ||
Missa Paschalis, ZWV 7: Benedictus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová | A♭ Major | 1 | 4B | 173 BPM | ||
Oboe Concerto in E Minor, TWV 51:e1: II. Allegro molto | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | F♯ Major | 4 | 2B | 126 BPM | ||
Dies iræ, S. 31: Quantus tremor est futurus | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Minor | 2 | 10A | 91 BPM | ||
Messe h-Moll, BWV 232: XXV. Benedictus | Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Daniel Johannsen, Rudolf Lutz | B♭ Minor | 0 | 3A | 93 BPM | ||
Concerto for 2 Flutes in E Minor, TWV 53:e1: I. Andante | Georg Philipp Telemann, Il Gardellino, Marcel Ponseele | F♯ Major | 1 | 2B | 104 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act II, Chorus "In our deep vaulted cell" | Henry Purcell, Dominique Visse, Susan Bickley, Rosemary Joshua, Lynne Dawson, Stephen Wallace, René Jacobs, Orchestra of the Age of Enlightenment, John Bowen, Gerald Finley, Maria Cristina Kiehr, Robin Blaze | E Major | 1 | 12B | 170 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: Sonoro modulamine - I. Gloria in excelsis (RV 588): Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 120 BPM |
Section: 0.9076550006866455
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