Josef Rheinberger, Jurg Hanselmann, Sandra Hanselmann-Kästli made "Tarantella, Op. 13" available on June 1, 2011. With this song being about 5 minutes long, at 4:31, "Tarantella, Op. 13" by Josef Rheinberger, Jurg Hanselmann, Sandra Hanselmann-Kästli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Josef Rheinberger, Jurg Hanselmann's "Josef Gabriel Rheinberger: Klavierwerke" album is number 1 out of 165. On top of that, Germany appears to be the country where this track was created. Tarantella, Op. 13 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Tarantella, Op. 13 by Josef Rheinberger, Jurg Hanselmann, Sandra Hanselmann-Kästli to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist du bei mir, BWV 508 (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | D Major | 1 | 10B | 92 BPM | ||
Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Choir of St. John's College, Cambridge, Christopher Robinson | D Major | 0 | 10B | 78 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Benedictus | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | E♭ Major | 1 | 5B | 112 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
Brahms : 7 Lieder Op.62 : III Waldesnacht | Johannes Brahms, Arnold Schoenberg Chor | D Minor | 2 | 7A | 76 BPM | ||
Missa Sancti Georgii: I. Kyrie | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | A Major | 0 | 11B | 74 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
A Litany: Drop, Drop Slow Tears | William Walton, Choir of St. John's College, Cambridge, Christopher Robinson | C Major | 0 | 8B | 128 BPM | ||
Requiem - Herbert Howells: I. Salvator Mundi | Dale Warland Singers | G Major | 0 | 9B | 85 BPM |
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