"Missa Sancti Georgii: I. Kyrie" by Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss was released on June 2, 2023. The duration of Missa Sancti Georgii: I. Kyrie is about 3 minutes long, at 3:08. Based on our data, "Missa Sancti Georgii: I. Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss's "Missa Sancti Georgii" album is number 1 out of 7. On top of that, Netherlands appears to be the country where this track was created. Missa Sancti Georgii: I. Kyrie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Sancti Georgii: I. Kyrie by Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Major, BWV 243: X. Suscepit Israel | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: I. Warum ist das Licht gegeben in Mühseligen? | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | A♭ Major | 2 | 4B | 83 BPM | ||
Schildpadden | Herman Finkers | A♭ Major | 2 | 4B | 139 BPM | ||
Fatima (Arr. for Baroque Ensemble by Eric Vloeimans and Tineke Steenbrink) | Eric Vloeimans, Holland Baroque Society | D Minor | 1 | 7A | 80 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
Mass in B Minor, BWV 232: Aria: Qui sedes ad dextram Patris (Alto) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | B♭ Minor | 0 | 3A | 113 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Minor | 1 | 10A | 0 BPM | ||
In Josquinum a Prato "Musae Jovis" | Nicolas Gombert, Graindelavoix, Björn Schmelzer | A♭ Minor | 3 | 1A | 80 BPM |
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