On November 17, 2009, the song "Magnificat in D Major, BWV 243: X. Suscepit Israel" was released by Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod. The duration of Magnificat in D Major, BWV 243: X. Suscepit Israel is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Magnificat in D Major, BWV 243: X. Suscepit Israel's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 20 in Bach: Magnificat; Mass in G Minor by Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Magnificat in D Major, BWV 243: X. Suscepit Israel is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Magnificat in D Major, BWV 243: X. Suscepit Israel by Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Magnificat, Wq. 215: Magnificat, Wq. 215: 5. Arie. Fecit potentiam in bracchio suo (B) | Carl Philipp Emanuel Bach, Markus Eiche, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | A♭ Major | 2 | 4B | 166 BPM | ||
"Nach dir, Herr, verlanget mich" BWV 150: Coro: "Meine Tage in dem Leide" | Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald Bentvelsen | G Minor | 1 | 6A | 115 BPM | ||
Dixit Dominus, HWV 232: Dominus a dextris tuis | George Frideric Handel, Charles Humphries, Gill Ross, Donna Deam, Robert Burt, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 2 | 12A | 146 BPM | ||
Jesu, Meine Freude Bwv 358 | Nicol Matt, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Johann Sebastian Bach, Robert Sagasser, Nordic Chamber Choir, Jens Wollenschläger, Jörg Halobek, Martina Rotbauer, Ute Petersilge | D♭ Minor | 1 | 12A | 0 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremulo | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro - Live From Teatro Romolo Valli, Reggio Emilia, Italy / 2007 | Johann Sebastian Bach, Giuliano Carmignola, Michala Petri, Nikola Tarasov, Orchestra Mozart, Claudio Abbado | C Major | 0 | 8B | 120 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Mass No. 2 in G Major, D. 167: III. Credo | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM |
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