"String Quartet, Op. 28: II. Gemächlich" by Anton Webern, Juilliard String Quartet was released on 1977. With String Quartet, Op. 28: II. Gemächlich being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 138 in the song's album "Pierre Boulez Edition: Webern, Varese & Berio". In this album, this song's track order is #96. Furthermore, we believe that the track originated from United States. In terms of popularity, String Quartet, Op. 28: II. Gemächlich is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With String Quartet, Op. 28: II. Gemächlich by Anton Webern, Juilliard String Quartet having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, M. 41: III. L'indifférent | Maurice Ravel, Anne Sofie von Otter, Cleveland Orchestra, Pierre Boulez | C Major | 4 | 8B | 49 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: III. Scherzino (Allegro – Andantino - Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | F Minor | 0 | 4A | 104 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Fünf Sätze für Streichquartett, Op. 5: II. Sehr langsam | Anton Webern, Juilliard String Quartet | C Major | 0 | 8B | 91 BPM | ||
Le marteau sans maître: "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | A♭ Major | 0 | 4B | 81 BPM | ||
Vattendroppar, JS 216 | Jean Sibelius, Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM | ||
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Ravel: String Quartet, M. 35: IV. Vif et agité | Maurice Ravel, Quatuor Ébène | F Major | 2 | 7B | 80 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM |
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