"Phantasmagorilla? No! Phantasmagoria: My sweet boy I'm no ghost" by Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer was released on February 1, 2009. The duration of Phantasmagorilla? No! Phantasmagoria: My sweet boy I'm no ghost is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Phantasmagorilla? No! Phantasmagoria: My sweet boy I'm no ghost's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Phantasmagorilla? No! Phantasmagoria". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Phantasmagorilla? No! Phantasmagoria: My sweet boy I'm no ghost is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Phantasmagorilla? No! Phantasmagoria: My sweet boy I'm no ghost by Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: Tempus est iocundum | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 3 | 10B | 78 BPM | ||
Phantasmagorilla? No! Phantasmagoria: Nessie?! You came here too? | Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer | F♯ Minor | 1 | 11A | 84 BPM | ||
Let us garlands bring, Op. 18: Who is Silvia? | Gerald Finzi, Roderick Williams, Iain Burnside | F Major | 1 | 7B | 77 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Elégie | Erik Satie, Eva Lind, Jean Lemaire | B Major | 2 | 1B | 91 BPM | ||
Pelléas et Mélisande, L. 88 / Act I: "Hoé! Hisse hoé!" | Claude Debussy, Francois Le Roux, Maria Ewing, Christa Ludwig, Vienna State Opera Chorus, Helmut Froschauer, Wiener Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 49 BPM | ||
Peter and the wolf, Op.67 - Narration in English, Text adapted by Sting: Let Me Tell You A Story | Sergei Prokofiev, Sting, Chamber Orchestra of Europe, Claudio Abbado | A♭ Major | 0 | 4B | 109 BPM | ||
Carmina Burana: III. Veris leta facies | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 127 BPM | ||
Constellations, Act II Scene 3: What is it? Jo, are those explosions? | Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Dan Kempson | G Minor | 4 | 6A | 95 BPM | ||
On Wenlock Edge: Is my team ploughing? | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Duke Quartet | D Major | 4 | 10B | 80 BPM |
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