"Constellations, Act II Scene 3: What is it? Jo, are those explosions?" by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Dan Kempson was released on December 15, 2020. The duration of Constellations, Act II Scene 3: What is it? Jo, are those explosions? is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Constellations, Act II Scene 3: What is it? Jo, are those explosions?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 35 out of 37 in Constellations - A Chamber Opera by Efraín Amaya, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Constellations, Act II Scene 3: What is it? Jo, are those explosions? is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Constellations, Act II Scene 3: What is it? Jo, are those explosions? by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Dan Kempson is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | ||
Constellations, Act I Scene 6: How do I look? | Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Sarah Shafer | G Minor | 4 | 6A | 95 BPM | ||
Requiem in D Minor, K. 626: No 3, Sequence - Tuba Mirum | Wolfgang Amadeus Mozart, Sir Colin Davis, Marie Arnet, Anna Stephany, London Symphony Orchestra, Andrew Kennedy, Darren Jeffery | D Major | 4 | 10B | 80 BPM | ||
Youkali Tango from Marie Galante | Kurt Weill, Teresa Stratas | D Minor | 1 | 7A | 107 BPM | ||
God Bless America | Irving Berlin, Kevin Maynor, Eric Olsen | F Major | 1 | 7B | 0 BPM | ||
Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
10. My well-beloved Lord | Arthur Sullivan, Mary Sansom, Thomas Round, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey | F♯ Major | 2 | 2B | 83 BPM | ||
Rorem : "Early in the morning" | Ned Rorem, Susan Graham | C Minor | 0 | 5A | 72 BPM | ||
Candide / Act II: 17. My Love (Governor's Serenade) | Leonard Bernstein, June Anderson, Nicolai Gedda, London Symphony Orchestra | B♭ Major | 2 | 6B | 82 BPM | ||
Adams: Nixon in China: Act I, Scene 2 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Major | 2 | 10B | 171 BPM |
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