"Constellations, Act I Scene 6: How do I look?" by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Sarah Shafer was released on December 15, 2020. The duration of Constellations, Act I Scene 6: How do I look? is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Constellations, Act I Scene 6: How do I look?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 37 in Constellations - A Chamber Opera by Efraín Amaya, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Constellations, Act I Scene 6: How do I look? is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Constellations, Act I Scene 6: How do I look? by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Sarah Shafer is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIV. Komm! Komm! | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Juliane Banse, London Symphony Chorus | B♭ Minor | 0 | 3A | 79 BPM | ||
Let us garlands bring, Op. 18: Who is Silvia? | Gerald Finzi, Roderick Williams, Iain Burnside | F Major | 1 | 7B | 77 BPM | ||
Phantasmagorilla? No! Phantasmagoria: Wake up Bernard! | The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer | F♯ Major | 1 | 2B | 104 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Softly and gently | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
Sanctuary! | Alan Menken, Chorus - The Hunchback Of Notre Dame | A Minor | 3 | 8A | 76 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
War Requiem, Op. 66: vi. Dies Irae - "Bugles sang, saddening the evening air" | Benjamin Britten, Gianandrea Noseda, Simon Keenlyside, London Symphony Orchestra | B Minor | 0 | 10A | 71 BPM | ||
Candide / Act I: 2. Life Is Happiness Indeed | Leonard Bernstein, June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra | G Major | 2 | 9B | 120 BPM | ||
Three Songs from William Shakespeare: Music to Hear | Igor Stravinsky, Ann Murray, Ensemble Intercontemporain, Pierre Boulez | A Major | 0 | 11B | 124 BPM |
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