- BPM
- 82
- Key
- B♭ Major
- Camelot
- 6B
Candide / Act II: 17. My Love (Governor's Serenade) - Leonard Bernstein, June Anderson, Nicolai Gedda, London Symphony Orchestra Information
- Acousticness
- 97%
- Danceability
- 36%
- Energy
- 25%
- Instrumentalness
- 1%
- Liveness
- 16%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 25%
- Popularity
- 8%
- Loudness
- -14.564 dB
Summary
Leonard Bernstein, June Anderson, Nicolai Gedda, London Symphony Orchestra's 'Candide / Act II: 17. My Love (Governor's Serenade)' came out on January 1, 1991. The duration of Candide / Act II: 17. My Love (Governor's Serenade) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Candide / Act II: 17. My Love (Governor's Serenade)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act II: 17. My Love (Governor's Serenade) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Candide / Act II: 17. My Love (Governor's Serenade) BPM
The tempo marking of Candide / Act II: 17. My Love (Governor's Serenade) by Leonard Bernstein, June Anderson, Nicolai Gedda, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Candide / Act II: 17. My Love (Governor's Serenade) Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 137 BPM | |
 | Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato | Jean Sibelius, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 86 BPM | |
 | The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | |
 | Symphony No.25 In G Minor, K. 173dB (K.183) USE KV183/y25: Allegro con brio | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | G Minor | 1 | 6A | 151 BPM | |
 | Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | |
 | Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | |
 | The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | |
 | Má vlast, JB 1:112: II. Vlatava (The Moldau) - Remastered | Bedřich Smetana, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 93 BPM | |
 | Symphonie fantastique, Op. 14: IV. Marche au supplice | Hector Berlioz, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 167 BPM | |
 | Overture "The Italian Girl in Algiers: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0362346172332764
End: 1.0401248931884766