Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein's 'Symphony No.25 In G Minor, K. 173dB (K.183) USE KV183/y25: Allegro con brio' had a release date set for January 1, 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein's "Mozart: Symphonies Nos.25 & 29 / Clarinet Concerto" album is number 5 out of 11. Based on our statistics, Symphony No.25 In G Minor, K. 173dB (K.183) USE KV183/y25: Allegro con brio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.25 In G Minor, K. 173dB (K.183) USE KV183/y25: Allegro con brio by Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos, FP 61: I. Allegro ma non troppo | Francis Poulenc, Leonard Bernstein, New York Philharmonic | E♭ Major | 2 | 5B | 70 BPM | ||
Der Stein der Weisen, Act I: Overture | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman | D♭ Major | 1 | 3B | 90 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Sam Franko, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Piano Trio: III. Largo - Allegro vivo e molto ritmico | Leonard Bernstein, Charles Bernard, Opus Two | E Major | 1 | 12B | 94 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: III. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | D♭ Minor | 3 | 12A | 104 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | C Major | 1 | 8B | 104 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM |