"Adams: Nixon in China: Act I, Scene 2 - (Beginning)" by John Adams, Edo de Waart, Orchestra of St. Luke's was released on November 1, 1996. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #7. The popularity of Adams: Nixon in China: Act I, Scene 2 - (Beginning) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Adams: Nixon in China: Act I, Scene 2 - (Beginning) by John Adams, Edo de Waart, Orchestra of St. Luke's having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nixon in China, Act I Scene 2: Like the Ming Tombs (Live) | John Adams, Robert Orth, Marc Heller, Chen-Ye Yuan, Melissa Malde, Julie Simson, Jennifer DeDominici, Colorado Symphony, Marin Alsop | C Major | 3 | 8B | 122 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Mami! | Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras | A Minor | 0 | 8A | 102 BPM | ||
Nixon in China, Act III: After That the Sweat Had Soaked My Uniform (Live) | John Adams, Robert Orth, Maria Kanyova, Marc Heller, Tracy Dahl, Chen-Ye Yuan, Colorado Symphony, Marin Alsop | A♭ Major | 2 | 4B | 138 BPM | ||
The Turn of the Screw Op. 54, Act One: Prologue (Prologue) | Benjamin Britten, Ian Bostridge, Daniel Harding, Mahler Chamber Orchestra | C Major | 0 | 8B | 172 BPM | ||
Water Music, Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, Orchestra of St. Luke's, Sir Charles Mackerras | D Major | 2 | 10B | 181 BPM | ||
War Requiem, Op. 66: xiii. Dies Irae - "Move him into the sun" | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, Ian Bostridge, London Symphony Chorus, London Symphony Orchestra | D Major | 0 | 10B | 87 BPM | ||
Otello / Act 1: "Una vela! Una vela!" | Giuseppe Verdi, Alan Opie, Anthony Rolfe Johnson, John Keyes, Leo Nucci, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 3 | 4B | 73 BPM | ||
Divertimento in B-Flat Major, K. Anh. 227: I. Allegro | Wolfgang Amadeus Mozart, Netherlands Wind Ensemble, Edo de Waart | B♭ Major | 3 | 6B | 193 BPM | ||
Water Music, Suite No. 1 in F Major, HWV 348: IX. Hornpipe | George Frideric Handel, Orchestra of St. Luke's, Sir Charles Mackerras | D Major | 2 | 10B | 181 BPM | ||
The Tempest, Act 1: Scene I: Hell is empty | Thomas Adès | D Major | 3 | 10B | 101 BPM |
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