Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer made "Phantasmagorilla? No! Phantasmagoria: Nessie?! You came here too?" available on February 1, 2009. With Phantasmagorilla? No! Phantasmagoria: Nessie?! You came here too? being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Phantasmagorilla? No! Phantasmagoria". In this album, this song's track order is #6. Phantasmagorilla? No! Phantasmagoria: Nessie?! You came here too? is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Phantasmagorilla? No! Phantasmagoria: Nessie?! You came here too? by Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 53: VI. Chrystus niech mi bedzie grodem (Soprano, Alto, Baritone, Chorus) | Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, Pamela Helen Stephen, Gábor Bretz, BBC Symphony Chorus | D♭ Major | 0 | 3B | 72 BPM | ||
Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do | James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton | B Major | 2 | 1B | 80 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
On Wenlock Edge: Bredon Hill | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Duke Quartet | C Major | 0 | 8B | 67 BPM | ||
Tom Bowling and Other Song Arrangements: Greensleeves | Benjamin Britten, Philip Langridge, Graham Johnson | B♭ Minor | 7 | 3A | 133 BPM | ||
Three Japanese Lyrics: III. Tsaraiuki | Igor Stravinsky, Phyllis Bryn-Julson, Ensemble Intercontemporain, Pierre Boulez | D Major | 1 | 10B | 94 BPM | ||
Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13 - English version: Finale: "Though this house give glimm'ring light" | Felix Mendelssohn, Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | E Major | 1 | 12B | 79 BPM | ||
Mahler: Kindertotenlieder: No. 5, In diesem Wetter, in diesem Braus | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | C Major | 0 | 8B | 82 BPM |
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