Claude Debussy, Francois Le Roux, Maria Ewing, Christa Ludwig, Vienna State Opera Chorus, Helmut Froschauer, Wiener Philharmoniker, Claudio Abbado made "Pelléas et Mélisande, L. 88 / Act I: "Hoé! Hisse hoé!"" available on January 1, 1992. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 40 in Debussy: Pelléas et Mélisande by Claude Debussy, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Pelléas et Mélisande, L. 88 / Act I: "Hoé! Hisse hoé!" is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Pelléas et Mélisande, L. 88 / Act I: "Hoé! Hisse hoé!" by Claude Debussy, Francois Le Roux, Maria Ewing, Christa Ludwig, Vienna State Opera Chorus, Helmut Froschauer, Wiener Philharmoniker, Claudio Abbado is Lento (slowly), since this song has a tempo of 49 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 89 BPM | ||
Lohengrin, WWV 75 / Act I: "Durch Gottes Sieg ist jetzt dein Leben mein" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Cheryl Studer, Waltraud Meier, Hartmut Welker, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 6 | 6B | 92 BPM | ||
Gurrelieder / Pt. 1: III. Tove: O, wenn des Mondes Strahlen | Arnold Schoenberg, Sharon Sweet, Wiener Philharmoniker, Claudio Abbado | B♭ Minor | 1 | 3A | 80 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
Carmen, WD 31 / Act II: "Nous avons en tête une affaire" | Georges Bizet, Colette Boky, Marcia Baldwin, Marilyn Horne, Russell Christopher, Andrea Velis, Metropolitan Opera Orchestra, Leonard Bernstein | F Minor | 3 | 4A | 171 BPM | ||
Mass No. 2 in G Major, D. 167: IV. Sanctus | Franz Schubert, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | A Major | 3 | 11B | 186 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein" | Richard Strauss, Janet Perry, Anna Tomowa-Sintow, Agnes Baltsa, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 79 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena) | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Minor | 1 | 1A | 181 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft" | Richard Wagner, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 0 | 5B | 84 BPM | ||
Lohengrin, WWV 75 / Act 1: "Nun höret mich und achtet wohl" | Richard Wagner, Dietrich Fischer-Dieskau, Plácido Domingo, Siegmund Nimsgern, Hans Sotin, Jessye Norman, Eva Randová, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | E Minor | 2 | 9A | 77 BPM |
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