Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar)
Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado
Schoenberg: Gurre-Lieder
2:24 January 1, 1995
BPM
89
Key
D Major
Camelot
10B

Embed

Share Link

Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) - Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado Information

Acousticness
99%
Danceability
19%
Energy
12%
Instrumentalness
13%
Liveness
11%
Loudness
61%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.333 dB

Summary

"Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar)" by Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1995. The duration of Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schoenberg: Gurre-Lieder". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) BPM

With Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) by Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) Key

D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! by Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard WagnerDie Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf!Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard WagnerG Major29B112 BPM
Verklärte Nacht, Op. 4: Molto rallentando (Takt 100) by Arnold Schoenberg, Orpheus Chamber OrchestraVerklärte Nacht, Op. 4: Molto rallentando (Takt 100)Arnold Schoenberg, Orpheus Chamber OrchestraC Major18B87 BPM
Das Rheingold, WWV 86A / Erste Szene: Das Rheingold, WWV 86A / Erste Szene: "He he! Ihr Nicker!"Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Zoltan Kelemen, Berliner Philharmoniker, Herbert von KarajanF Major17B78 BPM
Gurrelieder / Pt. 3: XXII. Mixed Chorus: Seht die Sonne by Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan RozehnalGurrelieder / Pt. 3: XXII. Mixed Chorus: Seht die SonneArnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan RozehnalE Major312B89 BPM
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen by Richard Wagner, Kathrin Zukowski, KammerMusikKölnWesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, SchmerzenRichard Wagner, Kathrin Zukowski, KammerMusikKölnE♭ Major15B69 BPM
Der Freischütz, J. 277 / Act III: Der Freischütz, J. 277 / Act III: "Wer legt auf ihn so strengen Bann?"Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Franz Crass, Siegfried Vogel, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos KleiberE♭ Major25B70 BPM
Wagner: Tristan und Isolde, Act 1: Wagner: Tristan und Isolde, Act 1: "Tristan!... Isolde!" (Isolde, Tristan, Brangäne, Kurwenal, Chorus)Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Chor Der Staatsoper Berlin, Falk Struckmann, Marjana Lipovsek, Siegfried Jerusalem, Waltraud MeierD Major110B94 BPM
Neujahrsgruß / New Year's Address / Allocution du Nouvel An by Riccardo Muti, Wiener PhilharmonikerNeujahrsgruß / New Year's Address / Allocution du Nouvel AnRiccardo Muti, Wiener PhilharmonikerD♭ Major13B112 BPM
Die Meistersinger von Nürnberg - Act 3: Die Meistersinger von Nürnberg - Act 3: "Sankt Krispin, lobet ihn!"Richard Wagner, Adolf Dallapozza, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg SoltiF Major47B109 BPM
Brennende Liebe, Polka mazur, Op. 129 by Josef Strauss, Mariss Jansons, Wiener PhilharmonikerBrennende Liebe, Polka mazur, Op. 129Josef Strauss, Mariss Jansons, Wiener PhilharmonikerG Major19B122 BPM
ISRC
DEF059232206
Label
L-M Records/RCA Records

Section: 0.8636610507965088

End: 0.8683335781097412