"Die Meistersinger von Nürnberg - Act 3: "Sankt Krispin, lobet ihn!"" by Richard Wagner, Adolf Dallapozza, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1976. Die Meistersinger von Nürnberg - Act 3: "Sankt Krispin, lobet ihn!" appears to be safe for all ages as it is not explicit. This song is part of Wagner: Die Meistersinger Von Nurnberg by Richard Wagner, Norman Bailey, Bernd Weikl, René Kollo, Hannelore Bode, Wiener Philharmoniker, Sir Georg Solti. The song's track number on the album is #3 out of 42 tracks. In terms of popularity, Die Meistersinger von Nürnberg - Act 3: "Sankt Krispin, lobet ihn!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg - Act 3: "Sankt Krispin, lobet ihn!" by Richard Wagner, Adolf Dallapozza, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Die Meistersinger von Nürnberg - Act 3: "Sankt Krispin, lobet ihn!" being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Ochs, Octavian) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Erich Majkut, Otto Edelmann, Philharmonia Orchestra | C Major | 1 | 8B | 89 BPM | ||
Otello / Act 4: "Era più calmo?" | Giuseppe Verdi, Elzbieta Ardam, Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | F Minor | 0 | 4A | 99 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: IV. Allegro molto | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Major | 2 | 10B | 78 BPM | ||
Giselle / Act 1: Introduction | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 135 BPM | ||
La traviata / Act 1: "Ebben? che diavol fate?" | Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 2 | 4B | 168 BPM | ||
Eugene Onegin, Op.24, TH.5 / Act 1: "Kogda bi zhizn domashnim krugom" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Orchestre de Paris, Semyon Bychkov | D Major | 1 | 10B | 80 BPM | ||
Beethoven: Fidelio, Op. 72, Act 1: No. 9, Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) | Ludwig van Beethoven, Christa Ludwig, Otto Klemperer, Philharmonia Orchestra | E Major | 2 | 12B | 100 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Infirma nostri corporis" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 91 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act III: "Marie Theres'! Hab' mir's gelobt" (Octavian, Marschallin, Sophie) | Richard Strauss, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Herbert von Karajan, Philharmonia Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
Salome, Op.54, TrV 215 / Scene 1: "Wie schön ist die Prinzessin Salome heute Nacht!" | Richard Strauss, Waldemar Kmentt, Josephine Veasey, Zenon Kosnowski, Heinz Holecek, Wiener Philharmoniker, Sir Georg Solti | B♭ Minor | 7 | 3A | 126 BPM |
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