The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena) - Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras Information

Acousticness: 96%
Danceability: 27%
Energy: 13%
Instrumentalness: 77%
Liveness: 20%
Loudness: 65%
Speechiness: 5%
Valence: 12%
Popularity: 4%
Loudness: -20.999 dB

Summary

"The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena)" by Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras was released on January 1, 1982. The duration of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: The Cunning Little Vixen" album is number 6 out of 31. The popularity of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena) BPM

We consider the tempo marking of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena) by Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras to be Presto (very, very fast) because the track has a tempo of 181 BPM, a half-time of 90BPM, and a double-time of 362 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena) Key

This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 5. Stebetaly jak lastovicky (They chattered like swallows)	Leoš Janáček, Rudolf Firkusny	A♭ Minor	0	1A	87 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Moravian Folk Poetry in Songs, JW V/2: No. 23, Uneasy	Leoš Janáček, Iva Bittová, Škampa Quartet	B♭ Major	3	6B	126 BPM
Valse Fantaisie, Op.49	Raoul Koczalski, Ingolf Wunder	B Minor	0	10A	66 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major	Antonín Dvořák, Stefan Veselka	G Major	0	9B	66 BPM
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell	Robert Schumann, Piotr Anderszewski	C Major	0	8B	173 BPM
Partita Suite No. 1 for String Orchestra, H.212: III. Andante Moderato	Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren	A Major	0	11B	100 BPM
12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto)	Franz Liszt, Daniil Trifonov	B♭ Minor	2	3A	68 BPM
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace	Bedřich Smetana, Jitka Čechová	G Major	2	9B	144 BPM
Rhapsodie Orientale, Op. 29: 1. Andante	Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	0	3B	89 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6648929119110107

End: 0.67108154296875