"On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 5. Stebetaly jak lastovicky (They chattered like swallows)" by Leoš Janáček, Rudolf Firkusny was released on January 1, 1972. The duration of On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 5. Stebetaly jak lastovicky (They chattered like swallows) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 5. Stebetaly jak lastovicky (They chattered like swallows)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Rudolf Firkusny, Members of the Bavarian Radio Symphony Orchestra, Rafael Kubelik's "Janácek: Piano Works" album is number 6 out of 31. On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 5. Stebetaly jak lastovicky (They chattered like swallows) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 5. Stebetaly jak lastovicky (They chattered like swallows) by Leoš Janáček, Rudolf Firkusny to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
3 Intermezzos, Op. 117: No. 2. Intermezzo in B-Flat Minor: Andante non troppo e con molto espressione | Johannes Brahms, Luba Edlina | D♭ Major | 0 | 3B | 68 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
4 Impromptus Op. 142, D.935: No. 2 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 70 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
Jenufa / Act 2: Tetko Koselnicko | Leoš Janáček, Peter Dvorsky, Elisabeth Söderström, Eva Randová, Wiesław Ochman, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Minor | 2 | 1A | 135 BPM |
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