Eugène Ysaÿe, Reina Shibutani made "Sonata No. 5 in G Major, Op. 27: II. Danse rustique - Dedicated to Mathieu Crickboom" available on April 26, 2024. Sonata No. 5 in G Major, Op. 27: II. Danse rustique - Dedicated to Mathieu Crickboom is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. This song is part of Ysaÿe: 6 Sonatas for Solo Violin by Eugène Ysaÿe, Reina Shibutani. The song's track number on the album is #14 out of 15 tracks. Based on our data, Italy was the country where this track was produced or recorded. Based on our statistics, Sonata No. 5 in G Major, Op. 27: II. Danse rustique - Dedicated to Mathieu Crickboom's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Sonata No. 5 in G Major, Op. 27: II. Danse rustique - Dedicated to Mathieu Crickboom by Eugène Ysaÿe, Reina Shibutani has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonata No. 5 in G Major, Op. 27: II. Danse rustique - Dedicated to Mathieu Crickboom being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Morceaux de Fantasie, Op.3: No.1 Elegie | Sergei Rachmaninoff, Vladimir Ashkenazy | E♭ Minor | 0 | 2A | 133 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Paganini variations: Variation 9 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | D♭ Minor | 0 | 12A | 105 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM |
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