"Paganini variations: Variation 9" by Eugène Ysaÿe, Laurent Korcia, Haruko Ueda was released on November 25, 2013. With Paganini variations: Variation 9 being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Laurent Korcia, Eugène Ysaÿe's "Mister Paganini" album is number 15 out of 21. In terms of popularity, Paganini variations: Variation 9 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paganini variations: Variation 9 by Eugène Ysaÿe, Laurent Korcia, Haruko Ueda to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le maître et l'élève, Op. 96: No. 2, Moment musical | Moritz Moszkowski, Antony Gray, Nickush Bhudia | F Minor | 1 | 4A | 100 BPM | ||
Tarentelle, Op. 6: Tarantelle, Op. 6 | Camille Saint-Saëns, Joanna G'froerer, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 91 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
I Palpiti, Op. 13 introduction and variations on ‘Di tanti palpiti’ for violin and orchestra (from Rossini’s Tancredi) | Niccolò Paganini, Laurent Korcia, Jean-Jacques Kantorow, Orchestre de chambre de Paris | A Major | 1 | 11B | 84 BPM | ||
Malagueña | Fritz Kreisler, Isaac Albéniz, Laurent Korcia, Haruko Ueda | E Major | 2 | 12B | 120 BPM | ||
チューインガム | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
Piano Trio No. 1 in D minor, Op. 32: 3. Elegia: Adagio | Anton Arensky, Beaux Arts Trio | D Major | 2 | 10B | 77 BPM | ||
La plus que lente | Claude Debussy, Jascha Heifetz | G Major | 3 | 9B | 106 BPM | ||
Cinema Paradiso | Ennio Morricone, European Chamber Orchestra Lochen, Michael Wendeberg, Laurent Korcia | B♭ Major | 3 | 6B | 66 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM |
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