"Adoration (Arr. for Cello & Orchestra by Julian Riem)" by Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds was released on February 3, 2023. The duration of Adoration (Arr. for Cello & Orchestra by Julian Riem) is about 3 minutes long, at 3:19. Based on our data, "Adoration (Arr. for Cello & Orchestra by Julian Riem)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 33 in Femmes by Raphaela Gromes, Lucerne Festival Strings, Julian Riem, Daniel Dodds. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Adoration (Arr. for Cello & Orchestra by Julian Riem) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adoration (Arr. for Cello & Orchestra by Julian Riem) by Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Schwanenlied, Op. 1, No. 1 (Arr. for Violin and String Ensemble by Ellie Consta) | Fanny Mendelssohn, Esther Abrami, Her Ensemble | D Major | 2 | 10B | 110 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Lakmé: Flower Duet (Arr. for Violin and Strings by Vivan & Ketan Bhatti) | Léo Delibes, Esther Abrami | B Major | 1 | 1B | 82 BPM | ||
Myfanwy (Arr. for Solo Cello) | Sheku Kanneh-Mason | G Major | 0 | 9B | 93 BPM | ||
Satie: 6 Gnossiennes: No. 3, Lent | Erik Satie, Bertrand Chamayou | F Minor | 1 | 4A | 63 BPM | ||
Piano Sonata in E minor: I. Andante - Allegro | Florence Beatrice Price, Michelle Cann | G Major | 0 | 9B | 115 BPM | ||
O ma belle rebelle | Charles Gounod, Christian-Pierre La Marca | E Minor | 0 | 9A | 80 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM |
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