"Schwanenlied, Op. 1, No. 1 (Arr. for Violin and String Ensemble by Ellie Consta)" by Fanny Mendelssohn, Esther Abrami, Her Ensemble was released on October 21, 2022. The duration of Schwanenlied, Op. 1, No. 1 (Arr. for Violin and String Ensemble by Ellie Consta) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Schwanenlied, Op. 1, No. 1 (Arr. for Violin and String Ensemble by Ellie Consta)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 4 in the song's album "Spotlight". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Schwanenlied, Op. 1, No. 1 (Arr. for Violin and String Ensemble by Ellie Consta) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanenlied, Op. 1, No. 1 (Arr. for Violin and String Ensemble by Ellie Consta) by Fanny Mendelssohn, Esther Abrami, Her Ensemble having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Street Spirit (Fade Out) [feat. Ben Haenow, Esther Abrami & Shanice Dilara] | Rex Pearson, Ben Haenow, Esther Abrami, Shanice Dilara | E Minor | 6 | 9A | 138 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | ||
Gartenlieder, Op. 3: No. 2. Lockung | Fanny Mendelssohn, Edina Leue, Gabriele Peters, Herlind Wartenberg, Jorg Hannes Kuhn, Florian Giertzuch, Cologne Leonarda Ensemble Choir, Elke Mascha Blankenburg | B Major | 1 | 1B | 125 BPM | ||
Memories of a Promenade II | Olga Scheps, Flying Steps | C Minor | 0 | 5A | 74 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
2 Pieces for Cello & Orchestra, Op. 20: No. 2, Sérénade espagnole | Alexander Glazunov, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | D Major | 2 | 10B | 99 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegro molto vivace | Fanny Mendelssohn, Beatrice Rauchs | D Major | 1 | 10B | 100 BPM |
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