"Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto)" by Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari was released on January 1, 2005. The duration of Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) is about 3 minutes long, at 3:19. Based on our data, "Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi: In furore, laudate pueri e concerti sacri by Antonio Vivaldi, Sandrine Piau, Stefano Montanari, Ottavio Dantone, Accademia Bizantina. The song's track number on the album is #10 out of 21 tracks. Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) by Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Sanctus (contrafactum by Les Arts Florissants of Beatus Vir, RV. 597/1 & Dixit Dominus, RV. 807/7): Coro "Sanctus Dominus, Deus Sabaoth" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew, Sophie Karthäuser, Renata Pokupić | B Minor | 1 | 10A | 75 BPM | ||
Concerto in D Minor for Viola d'Amore, Lute, Strings and Basso, RV 540: III. Allegro | Antonio Vivaldi, L'Arte dell' Arco, Pietro Prosser, Mario Paladin, Federico Guglielmo | G Minor | 2 | 6A | 131 BPM | ||
Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Cantata No.142, BWV142 - "Uns ist ein Kind Geoboren": Concerto | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | A♭ Minor | 2 | 1A | 104 BPM | ||
Requiem in D Minor, K. 626: III. Tuba mirum (Sequenz) | Wolfgang Amadeus Mozart, Laurence Equilbey, Sandrine Piau, Sara Mingardo, Accentus, Insula Orchestra, Christopher Purves, Werner Güra | B Minor | 1 | 10A | 135 BPM | ||
Stabat Mater: Cuius animam gementem…. O quam tristis | Agostino Steffani, Coro della Radiotelevisione Svizzera, Cecilia Bartoli, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | D Minor | 3 | 7A | 90 BPM | ||
Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Here The Deities Approve | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B♭ Minor | 2 | 3A | 105 BPM |
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