Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini's 'Stabat Mater, RV 621: VI. Pro peccatis suae gentis' came out on 1995. With Stabat Mater, RV 621: VI. Pro peccatis suae gentis being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Stabat Mater by Antonio Vivaldi, Chiara Banchini, Ensemble 415, Andreas Scholl. The song's track number on the album is #18 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Stabat Mater, RV 621: VI. Pro peccatis suae gentis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater, RV 621: VI. Pro peccatis suae gentis by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Stabat Mater, RV 621: VI. Pro peccatis suae gentis being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Minor | 1 | 9A | 64 BPM | ||
Mass in B Minor, BWV 232: Credo. Crucifixus etiam pro nobis (Chorus) | Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 1 | 2A | 104 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Concerto In B Flat Major For 2 Violins, Strings & Continuo, RV 524: 3. Allegro | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | B♭ Major | 2 | 6B | 97 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 68. Chorus I & II "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe, Dietrich Henschel | B Minor | 1 | 10A | 83 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge | D♭ Minor | 1 | 12A | 96 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM |
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