"Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum" by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti was released on October 28, 2013. The duration of Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum is about 3 minutes long, at 3:03. Based on our data, "Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Pergolesi: Stabat Mater, Laudate pueri & Confitebor". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Major | 1 | 10B | 76 BPM | ||
Artaserse: Se al labbro mio non credi - Instrumental Version | Christophe Rousset, Les Talens Lyriques | E Minor | 0 | 9A | 133 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Madrigal, Op. 35 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Minor | 0 | 7A | 134 BPM | ||
Ottone in villa, RV 729, Act I Scene XI: II. Aria Gelosia | Antonio Vivaldi, Giovanni Antonini, Il Giardino Armonico, Julia Lezhneva | B Major | 1 | 1B | 137 BPM | ||
O Quam Tristis | Andreas Scholl | F♯ Minor | 2 | 11A | 58 BPM | ||
Dido and Aeneas / Act 3: "Thy hand, Belinda...When I am laid in earth" | Henry Purcell, Carolyn Watkinson, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 176 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Harry Peeters, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Minor | 0 | 7A | 71 BPM | ||
Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie | Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée | C Minor | 1 | 5A | 167 BPM |
Section: 0.6930279731750488
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